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Archive for February, 2009

CottonJones-ParanoidCocoon.jpg

Paranoid Cocoon’s bedroom chamber pop spins with variety and subtle dissonances aplenty and is the strongest indication yet that Cotton Jones is ready to forge ahead with a unified new approach replete with more vintage instruments

Reed Fischer, Paste Magazine

Gotta Cheer Up [3:12]

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Wilderness is a slow burner, a gentle and fragile album stripped of the raw emotion of earlier Anderson efforts but no worse for that. The music is happy and content, the sound of both success and the comfort of being established enough to make an album entirely for yourself.

Jenny Cole, Music OMH

Back to You [3:14]

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Unlike most B-sides compilations, Sci-Fi Lullabies is far from extraneous — for any Suede fan, and most fans of contemporary Britpop, this is absolutely essential material, confirming the group’s status as one of the ’90s’ greatest bands.

Stephen Thomas Erlewine, All Music Guide

The Living Dead [2:48]

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It’s an obvious thing to say, but to appreciate the sound and individuality of Beirut you have to hear them, and in this case turn them up loud. For anyone seeking a new sound, in this case a vibrant take on Balkan folk through the eyes of a Westerner, there will be no disappointment.

Ben Hogwood, Music OMH

The Penalty [3:51]

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Tears for Fears Roland Orzabal is a musical actor, an abstract poet, and a music connoisseur. His lush lyrical imagery has provided vivid imagism and an emotion sparked from his own inquisitive nature since fronting one of the ’80s’ biggest acts.

MacKenzie Wilson, All Music Guide

Kill Love (Roland Orzabal) [5:40]

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